movies

Horizon, Other Recent Movie Turkeys, and Recommended Alternatives – Episode 166

In this episode Dara is giving out about recent bad movies, and not the ‘so bad they’re good’ kind. Kevin Costner’s Western opus Horizon: An American Saga – Chapter 1 starts the party with its bloated scale, turgid pacing, and on-the-nose representations of archetypal stories and characters. Far too earnest and self-serious, Dara recommends at least half a dozen alternatives, including Michael Cimino’s Heaven’s Gate and Costner’s own Open Range.

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How To Make a Raspberry Cheesecake – From the Kitchen to a Religious Sect to 90s Hollywood Misogyny – Episode 152

Dara begins this episode by sharing his go-to recipe for making cheesecake, raspberry cheesecake, specifically. Don’t ask why – it just felt like the right thing to do. Perhaps he was trying to flaunt his ‘new man’ credentials in advance of discussing male attitudes to high-profile, successful women in the not-so-distant past.

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40 Years of Winning and Grinning – The Tom Cruise Episode! – Episode 150

In this 150th episode, Dara decides not to lean into what makes the show what it is, but rather opts for the easy entertainment of the career of Tom Cruise. A recent rewatch of Top Gun Maverick prompted the question – what is it about Tom Cruise that audiences continue to buy? What is it about that smile, and that ever-young body?

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2023: The Year in Screentime – Fantastic Plastic and Artistic Brutality – Episode 137

Dara reviews his year in watching on screens big and small over the last twelve months. Some of the obvious big 2023 releases are covered, including Oppenheimer, Barbie, Killers of the Flower Moon and Anatomy of a Fall, but also mentioned are older movies that were watched during the year at home – Anthony Minghella’s The Talented Mr.Ripley, for example, or Paul Schrader’s Hardcore.

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Stop Laughing, This Is Meant To Be Good For You! – Episode 117

In this episode, Dara is perplexed by the moral ending of Jennifer Lawrence’s new comedy, No Hard Feelings. What is the purpose of such moralising? Does the audience benefit from the character’s personal edification? Should we care about a dissolute character’s redemptive arc? He compares the sexual politics of that movie to Billy Wilder’s Some Like It Hot.

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