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Dara Clear

Billy Budd, Russell Brand, and the Dark Corners of Male Desire – Episode 122

In this episode, Dara goes on a deep dive into Peter Ustinov’s 1962 film of Herman Melville’s Billy Budd. He recalls being struck by Terence Stamp’s remarkable performance and beauty when he first saw it over 25 years ago. A naval setting provides the battleground for innocence vs evil, but what was most memorable to Dara was the gay subtext and the grim denouement that it provoked.

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Why You Shouldn’t Bring an Axe to a Party, or How to Sit Down with Others – Episode 121

In this episode, Dara argues that in the process of ‘othering’, many are guilty of thinking only in monolithic terms, i.e. attributing unchanging characteristics to all members of the othered party. This reduces people to stereotypes and cliches, and robs them of both their individuality and the presumption of no bias. He wonders if this isn’t a huge part of the problem with discourse around identity politics, woke culture and gender wars.

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Critical Reaction and the Bestowal of Credibility – Episode 120

In this episode, Dara responds to a confronting conversation about the podcast that raised issues of self-worth, purpose, and the validity of the podcast itself. He looks at the specific criticism levelled at the show and what he does on it and makes a case for the defence. In a broader sense he looks at situations of personal conflict and how to remove emotion from the equation in order to view things more dispassionately.

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Chucking Original Sin in the Bin and the Pernicious Effect of Lifestyle Culture – Episode 119

This power-cut interrupted episode picks up where last week’s episode left off – with no clothes on! Dara wraps up his thoughts on nudity by addressing some omissions from last time. He briefly looks at a couple of male movie nudes before talking about his life modelling experience while in acting school in England in the mid-nineties. An article on a new photo exhibition that replaces Helmut Newton’s chilly women with male models raises questions of conditioning, objectification, and the dominance of the male gaze.

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Stop Laughing, This Is Meant To Be Good For You! – Episode 117

In this episode, Dara is perplexed by the moral ending of Jennifer Lawrence’s new comedy, No Hard Feelings. What is the purpose of such moralising? Does the audience benefit from the character’s personal edification? Should we care about a dissolute character’s redemptive arc? He compares the sexual politics of that movie to Billy Wilder’s Some Like It Hot.

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Keeping Up With a Changing World, or Why Seahorse Dads Made Me Uneasy – Episode 116

In this episode, Dara shares his thoughts on the late William Friedkin, of whose films he has long been an admirer, particularly The Exorcist and the lesser-loved Sorcerer, his 1977 remake of 1953’s La Salaire de la Peur. Those movies are discussed along with a general appraisal of Friedkin’s voice and greater artistic significance. Dara considers the changing astronomy of the world as more and more creative giants of that generation appear to be coming to the end of their time.

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The Voice of Truth and Anguish – Saying Farewell to Sinead O’Connor – Episode 115

In this episode, Dara takes his time to say goodbye to Sinead O’Connor and speaks of her relevance to him from the early days of her career right up to more recent times when life presented her with a terrible burden to bear. He includes a clip from Ep 34 of the show when he spoke about the death by suicide of her son in January 2022.

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