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The Attraction of Protagonists: Three Singular Selves on Screen – Episode 46

In this episode Dara reflects on a recent conversation he had about where and in what way the self should feature in the pursuit of happiness. One argument emphasises total immersion in self as a mode of psychic excavation and rebuilding, whereas an alternative, more Eastern approach, is a wilful eradication of self as the pathway to radical acceptance of what is. Neither is easily achieved, but the discussion is worth having.

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The Unloved Child, or Wielding the Blade of Creation – Episode 23

In this episode, Dara is inspired by Denis Villeneuve’s Bladerunner 2049 to go on a wide-ranging exploration of identity, consciousness and origin. He wonders if the leaders of Big Tech inspired Jared Leto’s portrayal of the designer in the Villeneuve movie before asking what level of thought and feeling is possible for AI entities.

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Big Bad Daddies! From Tony Soprano to My Father in Several Easy Steps – Episode 20

In this episode Dara explores the American father as captured in TV sensations The Sopranos and Breaking Bad. He also looks at Arthur Miller’s theatre masterworks Death of a Salesman and All My Sons before briefly visiting old Hollywood depictions of idealised fathers, both with and without collars!

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The Thrum of the Machine, or The Beautiful Irreducibility of Character – Episode 19

In this episode Dara explores the concept of character and how its uncovering might lie at the heart of true strength, happiness and resilience. He places it in firm counterpoint to the litany of reductive names, labels and titles and other identifiers we have put on us. That prompts a reflection on the tyranny of the word ‘Mother’.

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Such big feelings!, or Learning masculinity from the movies – Episode 18

In this episode Dara asks the question – what movies really do it for you? Before giving his own answer, he explores the types of masculinity that he has been attracted to on the big screen since he was a child. From the days of Spencer Tracy, through the Star Wars and Indiana Jones era, to the modern emotional landscape of ‘men’s movies’, he covers a lot of ground and a lot of movies that all capture a certain type of bruised masculinity.

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Merely

Merely I’m sorry. I’m just a man. I don’t know what I represent to you or anybody else. I only know who I am and who I’m not, what I’ve done and what I haven’t. I’m not trying to steal air or drink water or take space that was meant for you. I’m not looking

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