This episode does exactly what it says on the tin. Dara settles in to discuss a film he just watched, a concert he just attended, and a theatre production he recently saw.
Dara reviews his year in watching on screens big and small over the last twelve months. Some of the obvious big 2023 releases are covered, including Oppenheimer, Barbie, Killers of the Flower Moon and Anatomy of a Fall, but also mentioned are older movies that were watched during the year at home – Anthony Minghella’s The Talented Mr.Ripley, for example, or Paul Schrader’s Hardcore.
2023: The Year in Screentime – Fantastic Plastic and Artistic Brutality – Episode 137 Read More »
Following the previous episode’s last-minute production, Dara does another late night recording, this time in the wind and rain, with at least two interruptions from a sleeping dog. He’s determined to maintain his line, and that means he refuses to put out another delayed episode.
Maestro! Bradley Cooper’s Bravura Take on Bernstein – Episode 136 Read More »
In this episode Dara reveals that he is unaccustomed to the comfort of pajamas. This fact is relevant to a very recent late-night incident that he shares. That same incident concluded with an inherent contradiction relating to the presence of both love and rejection.
Don’t Turn Off the Lights! or, Have You Made Room for Romance? – Episode 129 Read More »
In this episode, Dara is perplexed by the moral ending of Jennifer Lawrence’s new comedy, No Hard Feelings. What is the purpose of such moralising? Does the audience benefit from the character’s personal edification? Should we care about a dissolute character’s redemptive arc? He compares the sexual politics of that movie to Billy Wilder’s Some Like It Hot.
Stop Laughing, This Is Meant To Be Good For You! – Episode 117 Read More »
In this episode Dara reviews some recently watched movies, including William Friedkin’s To Live and Die in LA (1985), and Sidney Lumet’s Prince of the City (1981), two much-lauded cop thrillers that each have their strengths and weaknesses and are very much products of their time.
July Miscellany! Movies, Weddings, and Reading the Signs – Episode 114 Read More »
In this episode, Dara wrestles with the conundrum that is Richard Gere. Self-satisfied narcissus or instinctive, id-driven sex animal? Is he a good actor? Is he just a fantasy figure beloved of Generation X moviegoers? Is he forever the man who rescued Julia Roberts from the streets? Dara examines Gere’s legacy through some of his most memorable performances and discusses in detail Breathless, the bizarre 1983 Hollywood remake of Godard’s A Bout de Souffle with an uncontainable turn from Gere at his most overtly sexual.
Riding the Gere-Stick to the Worst Poem in History! – Episode 112 Read More »
This episode looks at the problem of having access to too much information, material and opinion in the online space. So much content, and so much for free, and such ease of access, creates an imbalanced relationship that offers dubious benefits. Dara looks at his own internet consumption habits and questions the merits of unearned offerings.
In this episode Dara shares his thoughts and responses after a movie mini-binge. He is struck by the hackneyed plotline of CODA (2021) but thinks the film is saved by the acting and warmth of the main cast. He compares it to a couple of other movies that didn’t take flight, including the risible Bohemian Rhapsody (2018), and the glorified Apple commercial that was Ben Stiller’s The Secret Life of Walter Mitty (2013).
After hearing his wife listening to a selection of different piano pieces in preparation for a class, Dara realised he wanted to talk about motifs. He discusses motifs in the work of film score composers before warming to the idea of motifs in one’s life – what themes and fascinations have recurred over a lifetime? What has been circled back to? What has been underscored and reiterated?
The Attraction of Certain Instruments, or Oh, What a Lovely Wand! – Episode 87 Read More »
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