Dara Clear

Scared women, Damaged Men, and the Crisis of Broken Masculinity – Episode 35

I want to write this week’s information in the first person because I want to unequivocally own all the ideas and opinions expressed in the episode. As a response to the murder of a young Irish woman in Ireland last week, I discuss at considerable length the topic of male violence against women as an expression of broken masculinity, and I offer a defence of my experience of masculinity.

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Living in the Human Zone, or Liminality isn’t Criminality! – Episode 34

In this week’s episode, Dara is very much focused on zones and spaces – not physical ones, but experiential ones. He argues that we are always entering and taking our leave of different states of mind and emotion and how we behave in different spaces depends on where we are at in ourselves at any given time.

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The Christmas Special! – Episode 31

This week’s episode brings you a brand new Christmas story written by Dara. What happens to the little girl who runs away from her mother in a posh department store? Will she be taken away by the in-house security team? Will her mother regain her Christmas spirit? Will she accept the help of a stranger? Find out when you listen to ‘Caramel’. The story can also be found in written form on theclearout.com, where Dara’s other Christmas stories can also be found in both written and audio formats.

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Caramel

Caramel Mia didn’t enter the kitchen immediately when she got to the end of the hallway. She hovered near the door in silence and watched her mother, who was sitting at the kitchen table drinking a cup of tea. More accurately, a cup of tea sat on the table beside her mother, but it was

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The High Stakes of Great Christmas Movies, or Why I Love George Bailey – Episode 30

It’s an unmitigated movie-fest this week as Dara goes deep into his love of Christmas movies and of watching movies at this time of year. He revisits his childhood exposure to Hollywood classics and reflects on how the unlimited access to content and devices nowadays means that the home movie watching experience has lost its allure for modern children.

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